ANCIENT GREEK DRAMA

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Αισχύλου «ΧΟΗΦΟΡΕΣ" ΔΗ.ΠΕ.ΘΕ. Λάρισας – «Θεσσαλικό Θέατρο» Σκηνοθεσία: Κώστας Τσιάνος, 2009
Αισχύλου «ΧΟΗΦΟΡΕΣ, 2009-ΔΗ.ΠΕ.ΘΕ. Λάρισας – «Θεσσαλικό Θέατρο» Σκηνοθεσία και Χορογραφία Κώστας Τσιάνος. Κοστούμια: Ιωάννα Παπαντωνίου. Μουσική: Διονύσης Τσακνής. Θέατρο Βράχων “Μελίνα Μερκούρη” 2009. Φωτο: ΒΑΣΙΛΗΣ ΑΓΓΛΟΠΟΥΛΟΣ
Αισχύλου «ΧΟΗΦΟΡΕΣ" ΔΗ.ΠΕ.ΘΕ. Λάρισας – «Θεσσαλικό Θέατρο» Σκηνοθεσία: Κώστας Τσιάνος, 2009
Αισχύλου «ΧΟΗΦΟΡΕΣ, 2009-ΔΗ.ΠΕ.ΘΕ. Λάρισας – «Θεσσαλικό Θέατρο» Σκηνοθεσία και Χορογραφία Κώστας Τσιάνος. Κοστούμια: Ιωάννα Παπαντωνίου. Μουσική: Διονύσης Τσακνής. Θέατρο Βράχων “Μελίνα Μερκούρη” 2009. Φωτο: ΒΑΣΙΛΗΣ ΑΓΓΛΟΠΟΥΛΟΣ
Aeschylus' "ORESTEIA" by Theodoros Terzopoulos (2024) National Theatre of Greece.
Aeschylus' "ORESTEIA" by Theodoros Terzopoulos (2024) National Theatre of Greece. Aeschylus draws his material from the myth of the House of Atreus and the terrible curse on the family, composing the trilogy Oresteia (Agamemnon, Choephori, Eumenides)..Through his famous Method, the great theatre master, Theodoros Terzopoulos, presents another directorial proposal, aiming to “dig deep into the myth of Oresteia and search for the unpredictable, the unusual and the paradox”. Photo by © Johanna Weber
Aeschylus' "ORESTEIA" by Theodoros Terzopoulos (2024) National Theatre of Greece.
Aeschylus' "ORESTEIA" by Theodoros Terzopoulos (2024) National Theatre of Greece. Aeschylus draws his material from the myth of the House of Atreus and the terrible curse on the family, composing the trilogy Oresteia (Agamemnon, Choephori, Eumenides)..Through his famous Method, the great theatre master, Theodoros Terzopoulos, presents another directorial proposal, aiming to “dig deep into the myth of Oresteia and search for the unpredictable, the unusual and the paradox”. Photo by © Johanna Weber
Aeschylus' "ORESTEIA" by Theodoros Terzopoulos (2024) National Theatre of Greece.
Aeschylus' "ORESTEIA" by Theodoros Terzopoulos (2024) National Theatre of Greece. Aeschylus draws his material from the myth of the House of Atreus and the terrible curse on the family, composing the trilogy Oresteia (Agamemnon, Choephori, Eumenides)..Through his famous Method, the great theatre master, Theodoros Terzopoulos, presents another directorial proposal, aiming to “dig deep into the myth of Oresteia and search for the unpredictable, the unusual and the paradox”. Photo by © Johanna Weber ... λιγότερο
Aeschylus' "ORESTEIA" by Theodoros Terzopoulos (2024) National Theatre of Greece.
Aeschylus' "ORESTEIA" by Theodoros Terzopoulos (2024) National Theatre of Greece. Aeschylus draws his material from the myth of the House of Atreus and the terrible curse on the family, composing the trilogy Oresteia (Agamemnon, Choephori, Eumenides)..Through his famous Method, the great theatre master, Theodoros Terzopoulos, presents another directorial proposal, aiming to “dig deep into the myth of Oresteia and search for the unpredictable, the unusual and the paradox”. Photo by © Johanna Weber
Aeschylus' "ORESTEIA" by Theodoros Terzopoulos (2024) National Theatre of Greece.
Aeschylus' "ORESTEIA" by Theodoros Terzopoulos (2024) National Theatre of Greece. Aeschylus draws his material from the myth of the House of Atreus and the terrible curse on the family, composing the trilogy Oresteia (Agamemnon, Choephori, Eumenides)..Through his famous Method, the great theatre master, Theodoros Terzopoulos, presents another directorial proposal, aiming to “dig deep into the myth of Oresteia and search for the unpredictable, the unusual and the paradox”. Photo by © Johanna Weber
Aeschylus' "ORESTEIA" by Theodoros Terzopoulos (2024) National Theatre of Greece
Aeschylus' "ORESTEIA" by Theodoros Terzopoulos (2024) National Theatre of Greece. Aeschylus draws his material from the myth of the House of Atreus and the terrible curse on the family, composing the trilogy Oresteia (Agamemnon, Choephori, Eumenides)..Through his famous Method, the great theatre master, Theodoros Terzopoulos, presents another directorial proposal, aiming to “dig deep into the myth of Oresteia and search for the unpredictable, the unusual and the paradox”. Photo by © Johanna Weber
Aeschylus' "ORESTEIA" by Theodoros Terzopoulos (2024) National Theatre of Greece
Aeschylus' "ORESTEIA" by Theodoros Terzopoulos (2024) National Theatre of Greece. Aeschylus draws his material from the myth of the House of Atreus and the terrible curse on the family, composing the trilogy Oresteia (Agamemnon, Choephori, Eumenides)..Through his famous Method, the great theatre master, Theodoros Terzopoulos, presents another directorial proposal, aiming to “dig deep into the myth of Oresteia and search for the unpredictable, the unusual and the paradox”. Photo by © Johanna Weber
Aeschylus' "ORESTEIA" by Theodoros Terzopoulos (2024) National Theatre of Greece.
Aeschylus' "ORESTEIA" by Theodoros Terzopoulos (2024) National Theatre of Greece. Aeschylus draws his material from the myth of the House of Atreus and the terrible curse on the family, composing the trilogy Oresteia (Agamemnon, Choephori, Eumenides)..Through his famous Method, the great theatre master, Theodoros Terzopoulos, presents another directorial proposal, aiming to “dig deep into the myth of Oresteia and search for the unpredictable, the unusual and the paradox”. Photo by © Johanna Weber
Euripides' "Medea" by Yukio Ninagawa (1984) Herodes Atticus Odeon, Athens,
Euripides' "Medea" by Yukio Ninagawa (1984) Herodes Atticus Odeon, Athens, featuring the brilliant Mikijirō Hira and the Japanese theatrical company Toho. A cross-cultural version of a seminal work of Greek tragedy. Deeply influenced by Kabuki and Noh theater, the production acts to transform Euripides into a Japanese classic. Athens Epidaurus Festival (1984) https://youtu.be/UQXkmRYag94?si=_FhUs5_JXjz2uLir
Euripides' "Medea" by Yukio Ninagawa (1984) Herodes Atticus Odeon, Athens
Euripides' "Medea" by Yukio Ninagawa (1984) Herodes Atticus Odeon, Athens, featuring the brilliant Mikijirō Hira and the Japanese theatrical company Toho. A cross-cultural version of a seminal work of Greek tragedy. Deeply influenced by Kabuki and Noh theater, the production acts to transform Euripides into a Japanese classic. Athens Epidaurus Festival (1984) https://youtu.be/UQXkmRYag94?si=_FhUs5_JXjz2uLir
Euripides' "Medea" by Yukio Ninagawa (1984) Herodes Atticus Odeon, Athens
Euripides' "Medea" by Yukio Ninagawa (1984) Herodes Atticus Odeon, Athens, featuring the brilliant Mikijirō Hira and the Japanese theatrical company Toho. A cross-cultural version of a seminal work of Greek tragedy. Deeply influenced by Kabuki and Noh theater, the production acts to transform Euripides into a Japanese classic. Athens Epidaurus Festival (1984) https://youtu.be/UQXkmRYag94?si=_FhUs5_JXjz2uLir
Euripides' "Medea" by Yukio Ninagawa (1984) Herodes Atticus Odeon, Athens
Euripides' "Medea" by Yukio Ninagawa (1984) Herodes Atticus Odeon, Athens, featuring the brilliant Mikijirō Hira and the Japanese theatrical company Toho. A cross-cultural version of a seminal work of Greek tragedy. Deeply influenced by Kabuki and Noh theater, the production acts to transform Euripides into a Japanese classic. Athens Epidaurus Festival (1984) https://youtu.be/UQXkmRYag94?si=_FhUs5_JXjz2uLir