Athena, Couture Grecque
Kavadi, one of the most important parts of the Greek traditional costume, with clear oriental and Byzantine influences, made from precious silk fabrics, was traditionally worn over the traditional shirt. Depending on the place, it was combined with a different outer garment, such as a “Pirpiri" or a vest. This garment is sewn from a silk fabric with colorful embroidered flowers and decorated with dark orange trimming at the ends. More information at elenikoubi.com
Ioannina, Couture Grecque
Β. The “Pirpiri”, the sleeveless overcoat of the Ioannina costume, traditionally made of velvet fabric with rich embroidery in black or red color, has been replaced by a light colored moiré silk fabric and embellished with gold piping and minimalistic patterns. More information at elenikoubi.com
Ioannina, Couture Grecque
Β. The “Pirpiri”, the sleeveless overcoat of the Ioannina costume, traditionally made of velvet fabric with rich embroidery in black or red color, has been replaced by a light colored moiré silk fabric and embellished with gold piping and minimalistic patterns. More information at elenikoubi.com
Skopelos, Couture Grecque
The impressive bridal and festive costume of Skopelos with clear Byzantine influences is defined by the strong contrast between the black color of the garment and the colorful embroidery at the lower half of the costume. The garment of this collection has kept the traditional pattern almost intact with its multiple small folds and pleats that make it stand out and is made of silk taffeta and silk satin fabric in light blue and black. More information at elenikoubi.com
Athena, Couture Grecque
Kavadi, one of the most important parts of the Greek traditional costume, with clear oriental and Byzantine influences, made from precious silk fabrics, was traditionally worn over the traditional shirt. Depending on the place, it was combined with a different outer garment, such as a “Pirpiri" or a vest. This garment is sewn from a silk fabric with colorful embroidered flowers and decorated with dark orange trimming at the ends. More information at elenikoubi.com
Athena, Couture Grecque
Kavadi, one of the most important parts of the Greek traditional costume, with clear oriental and Byzantine influences, made from precious silk fabrics, was traditionally worn over the traditional shirt. Depending on the place, it was combined with a different outer garment, such as a “Pirpiri" or a vest. This garment is sewn from a silk fabric with colorful embroidered flowers and decorated with dark orange trimming at the ends. More information at elenikoubi.com
Ioannina, Couture Grecque
Β. The “Pirpiri”, the sleeveless overcoat of the Ioannina costume, traditionally made of velvet fabric with rich embroidery in black or red color, has been replaced by a light colored moiré silk fabric and embellished with gold piping and minimalistic patterns. More information at elenikoubi.com
Ioannina, Couture Grecque
Β. The “Pirpiri”, the sleeveless overcoat of the Ioannina costume, traditionally made of velvet fabric with rich embroidery in black or red color, has been replaced by a light colored moiré silk fabric and embellished with gold piping and minimalistic patterns. More information at elenikoubi.com
Thessaly - Macedonia, Couture Grecque
The colors that distinguish the costume of the Sarakatsans are mostly black and white. The white loose fitted shirt with the wide sleeves that we traditionally see has been transformed into a top with silk pleated white organza sleeves in three layers, maintaining its elegance, while the multi-folded black skirt with gold or silver piping has been preserved almost unchanged in full satin. The back is now made of tulle and is fully transparent. More information at elenikoubi.com
Thessaly - Macedonia, Couture Grecque
The colors that distinguish the costume of the Sarakatsans are mostly black and white. The white loose fitted shirt with the wide sleeves that we traditionally see has been transformed into a top with silk pleated white organza sleeves in three layers, maintaining its elegance, while the multi-folded black skirt with gold or silver piping has been preserved almost unchanged in full satin. The back is now made of tulle and is fully transparent. More information at elenikoubi.com
Thessaly - Macedonia, Couture Grecque
The colors that distinguish the costume of the Sarakatsans are mostly black and white. The white loose fitted shirt with the wide sleeves that we traditionally see has been transformed into a top with silk pleated white organza sleeves in three layers, maintaining its elegance, while the multi-folded black skirt with gold or silver piping has been preserved almost unchanged in full satin. The back is now made of tulle and is fully transparent. More information at elenikoubi.com
Skopelos, Couture Grecque
The impressive bridal and festive costume of Skopelos with clear Byzantine influences is defined by the strong contrast between the black color of the garment and the colorful embroidery at the lower half of the costume. The garment of this collection has kept the traditional pattern almost intact with its multiple small folds and pleats that make it stand out and is made of silk taffeta and silk satin fabric in light blue and black. More information at elenikoubi.com
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