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Sofia Coppola | The young Coppola is as attentive to her typeface as she is to the atmospherically driven existential intensity of her filmmaking. Although the typography varies across her films, the inspiration seems consistent. Her choice of Kabel for Lost in Translation has become the most quintessential to her sleepy aesthetic. The font was borrowed from her soundtrack collaborator, the elusive Kevin Shields, who used the font on two My Bloody Valentine albums. Coppola’s similar choice…

10 Auteurs and the Typefaces They Love

Sofia Coppola | The young Coppola is as attentive to her typeface as she is to the atmospherically driven existential intensity of her filmmaking. Although the typography varies across her films, the inspiration seems consistent. Her choice of Kabel for Lost in Translation has become the most quintessential to her sleepy aesthetic. The font was borrowed from her soundtrack collaborator, the elusive Kevin Shields, who used the font on two My Bloody Valentine albums. Coppola’s similar choice…

Dream Person - Faye Wong (Chungking Express Soundtrack)

Dream Person - Faye Wong (Chungking Express Soundtrack)

Butterick’s Practical Typography

Butterick’s Practical Typography

A Sofia Coppola Film - Lost in Translation (2003) Music: My Bloody Valentine "Sometimes"

A Sofia Coppola Film - Lost in Translation (2003) Music: My Bloody Valentine "Sometimes"

Girls - Death In Vegas (lost in translation soundtrack)

Girls - Death In Vegas (lost in translation soundtrack)

BEST SONGS FROM - Inside Llewyn Davis SOUNDTRACK

BEST SONGS FROM - Inside Llewyn Davis SOUNDTRACK

The Winner is - Little Miss Sunshine Soundtrack

The Winner is - Little Miss Sunshine Soundtrack

Berghain Berlin

Berghain Berlin

Stanley  |     Saul Bass was also commissioned to produce the artwork for some of Kubrick’s films, such as The Shining. But Kubrick is perhaps better remembered by typography enthusiasts for his affinity for sans serif type, especially his favorite, Futura, which he used most notably in Eyes Wide Shut and 2001: A Space Odyssey.

10 Auteurs and the Typefaces They Love

Stanley | Saul Bass was also commissioned to produce the artwork for some of Kubrick’s films, such as The Shining. But Kubrick is perhaps better remembered by typography enthusiasts for his affinity for sans serif type, especially his favorite, Futura, which he used most notably in Eyes Wide Shut and 2001: A Space Odyssey.

Boy Meets Girl (1984) directed by Leos Carax: Haven't seen it, but looks right up my alley!

Boy Meets Girl (1984) directed by Leos Carax: Haven't seen it, but looks right up my alley!

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