Jan van Eyck

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The Marriage of Giovanni Arnolfini and Giovanna Cenami’ by Jan van Eyck, dated 1434.   Considered to be the earliest painting depicting a Brussels Griffon.

The Marriage of Giovanni Arnolfini and Giovanna Cenami’ by Jan van Eyck, dated 1434. Considered to be the earliest painting depicting a Brussels Griffon.

"The Ghent Altarpiece" or "The Adoration of the Mystic Lamb" -- Singing Angels  (single panel detail)  1 of 24 compartmental scenes -- 1430-32 -- Hubert and Jan Van Eyck -- Flemish -- Polyptych -- Oil on wood -- Saint Bavo Cathedral -- Ghent, Belgium

"The Ghent Altarpiece" or "The Adoration of the Mystic Lamb" -- Singing Angels (single panel detail) 1 of 24 compartmental scenes -- 1430-32 -- Hubert and Jan Van Eyck -- Flemish -- Polyptych -- Oil on wood -- Saint Bavo Cathedral -- Ghent, Belgium

Jan Van Eyck, detail of the Ghent Altarpiece

Jan Van Eyck, detail of the Ghent Altarpiece

La Vierge au Chancelier Rolin, Jan van Eyck, 1435 Northern Renaissance

La Vierge au Chancelier Rolin, Jan van Eyck, 1435 Northern Renaissance

Jan van Eyck ( 1395 - 9 July 1441), was born in Maaseik, Burgundian Netherlands. He was a flemish painter and considered one of the best Europeon...

Jan van Eyck

Jan van Eyck ( 1395 - 9 July 1441), was born in Maaseik, Burgundian Netherlands. He was a flemish painter and considered one of the best Europeon...

Jan Van Eyck: One of my favorite artists of all time.

Jan Van Eyck: One of my favorite artists of all time.

Jan van Eyck (1390-1441 Flemish) • Detail from Arnolfini Portrait & Edited…

Jan van Eyck (1390-1441 Flemish) • Detail from Arnolfini Portrait & Edited…

Jan van Eyck: Madonna with the Child Reading (1433) Flemish. Flemish art in this period is the best of the best.

Jan van Eyck: Madonna with the Child Reading (1433) Flemish. Flemish art in this period is the best of the best.

Jan van Eyck, The Ghent Altarpiece or “The Adoration of the Mystic Lamb,” 1430-32.

Is This The World's Most Coveted Painting?

Jan van Eyck, The Ghent Altarpiece or “The Adoration of the Mystic Lamb,” 1430-32.

Annunciation by Jan Van Eyck

Annunciation by Jan Van Eyck

HUBERT and JAN VAN EYCK:  The Ghent Altarpiece (wings closed), 1432, Oil on wood, 350 x 223 cm, Cathedral of St Bavo, Ghent. The realism of the figures of Adam and Eve at the far right and left on the open altarpiece struck contemporary viewers forcefully, and this style continues on the outside of the panels when the altarpiece is closed.

HUBERT and JAN VAN EYCK: The Ghent Altarpiece (wings closed), 1432, Oil on wood, 350 x 223 cm, Cathedral of St Bavo, Ghent. The realism of the figures of Adam and Eve at the far right and left on the open altarpiece struck contemporary viewers forcefully, and this style continues on the outside of the panels when the altarpiece is closed.

marinni | Агнец Божий-Agnus Dei | The adoration of the Lamb | Centerpiece Altar of Ghent | van Eijck

marinni | Агнец Божий-Agnus Dei | The adoration of the Lamb | Centerpiece Altar of Ghent | van Eijck

Rogier van der Weyden, Portrait of a Lady, 1455, National Gallery of Art, Washington, D.C

Rogier van der Weyden, Portrait of a Lady, 1455, National Gallery of Art, Washington, D.C

Jan van Eyck. The Ghent Altarpiece Singing Angels (1427-29). Oil on wood, 164,5 x 71,5 cm. Cathedral of St Bavo, Ghent

Jan van Eyck. The Ghent Altarpiece Singing Angels (1427-29). Oil on wood, 164,5 x 71,5 cm. Cathedral of St Bavo, Ghent

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