Paul poiret

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Paul Poiret, Silk faille dinner dress, 1922-23  **I like the lines but would prefer a different Color/Pattern

Paul Poiret, Silk faille dinner dress, 1922-23 **I like the lines but would prefer a different Color/Pattern

Fancy dress costume, 1911 Paul Poiret (French, 1879–1944) Seafoam green silk gauze, silver lamé, blue foil and blue and silver coiled cellophane cord appliqué, and blue, silver, coral, pink, and turquoise cellulose beading; L. (a) 50 1/4 in. (127.6 cm)

Fancy dress costume, 1911 Paul Poiret (French, 1879–1944) Seafoam green silk gauze, silver lamé, blue foil and blue and silver coiled cellophane cord appliqué, and blue, silver, coral, pink, and turquoise cellulose beading; L. (a) 50 1/4 in. (127.6 cm)

Paul Poiret's Minaret tunic originated from dress inspired by harem pants underneath a flared tunic.  | The Metropolitan Museum of Art

Paul Poiret's Minaret tunic originated from dress inspired by harem pants underneath a flared tunic. | The Metropolitan Museum of Art

Evening dress by Paul Poiret, 1911-1920, at the Kobe Fashion Museum.

Evening dress by Paul Poiret, 1911-1920, at the Kobe Fashion Museum.

Paul Poiret, Kimono Inspired Robe, ca. 1913

Paul Poiret, Kimono Inspired Robe, ca. 1913

Paul Poiret , Afternoon Dress and Hat, 1923   (Dress) Silk crepe de chine and velvet with silk and metallic thread embroidery; (hat) silk with leather appliqué and metallic thread embroidery

Paul Poiret , Afternoon Dress and Hat, 1923 (Dress) Silk crepe de chine and velvet with silk and metallic thread embroidery; (hat) silk with leather appliqué and metallic thread embroidery

Paul Poiret. Opera Coat. circa 1924. Stunning cocoon evening coat of black georgette, hand beaded overall in lines of black beads switching to gray translucent beads with a geometric ragged edge formed at the color change.

A Fine & Rare Beaded Evening Coat by Paul Poiret 1924

Paul Poiret. Opera Coat. circa 1924. Stunning cocoon evening coat of black georgette, hand beaded overall in lines of black beads switching to gray translucent beads with a geometric ragged edge formed at the color change.

Poiret's "La Perse" coat, 1911. Textile design by Raoul Dufy.  Considwe the fabric, uae folkware pattern.

Poiret's "La Perse" coat, 1911. Textile design by Raoul Dufy. Considwe the fabric, uae folkware pattern.

Paul Poiret mantle, 1913. 'Based on a deconstructed kimono, it is composed of two rectangles folded on the shoulders and joined on one side with a stylised bow. It illustrates how Poiret was able to combine with rare harmony the bold colours of Fauvism, the vision of Cubism and the exoticism of Eastern garments.' PAUL POIRET

Paul Poiret mantle, 1913. 'Based on a deconstructed kimono, it is composed of two rectangles folded on the shoulders and joined on one side with a stylised bow. It illustrates how Poiret was able to combine with rare harmony the bold colours of Fauvism, the vision of Cubism and the exoticism of Eastern garments.' PAUL POIRET

Poiret. 1922 . Argumentó su batalla contra el corsé porque consideraba que le parecían ridículas las mujeres de busto curvo y trasero prominente, por lo que diseñó un traje sencillo, entallado bajo los pechos y que caía recto hasta los pies.

Poiret. 1922 . Argumentó su batalla contra el corsé porque consideraba que le parecían ridículas las mujeres de busto curvo y trasero prominente, por lo que diseñó un traje sencillo, entallado bajo los pechos y que caía recto hasta los pies.

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