Asian cinema

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Millennium Mambo 2001 ‘千禧曼波’ Directed by Hou Hsiao-hsien Synopsis Taipei. A voice off-camera looks back ten years to 2000, when Vicky was in an on-again off-again relationship with Hao-Hao… Aesthetic Movie Aesthetic Asian Movie Aesthetic Cinema Aesthetic Asian Cinema Millenium Mambo Aesthetic, Asian Cinema Aesthetic, Millennium Mambo (2001), The Last Ten Years Movie, Millenium Mambo, Millennium Mambo, Mood Background, Hou Hsiao Hsien, Aesthetic Cinema

Millennium Mambo 2001 ‘千禧曼波’ Directed by Hou Hsiao-hsien Synopsis Taipei. A voice off-camera looks back ten years to 2000, when Vicky was in an on-again off-again relationship with Hao-Hao… Aesthetic Movie Aesthetic Asian Movie Aesthetic Cinema Aesthetic Asian Cinema

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Café Lumière – 2003 Hsiao-Hsien Hou - The Cinema Archives Hou Hsiao Hsien, A Perfect Marriage, The Cinema, Perfect Marriage, Family Drama, Color Studies, Depth Of Field, Dark Forest, Skin Care Acne

A near-staggering achievement of mise-en-scene that serves both as a devoted homage to Ozu and as a major triumph for Hsiao-Hsien Hou Before the film really starts there’s a dedication to Ozu’s centenarian 100 year old celebration Apparently the film was conceived as an anthology film with 3 parts but HHH is the only auteur that remained as the project idea progressed — Hsiao-Hsien Hou ‘s one of the art form’s greatest masters of mise-en-scene this side of Ozu so the project and idea seems…

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Parasite Movie Wallpaper, Parasite Movie Scene, Parasite Wallpaper, Film Stills Cinematography Scene, Parasite Aesthetic, Asian Cinematography, Kdrama Cinematography, Plot Points, Asian Cinema

I don’t find myself trafficking in hyperbole or superlatives very often, but Bong Joon-ho’s Parasite is a cinematic masterstroke that deserves every bit of its widespread acclaim. A film that defies both genre and expectation, Parasite is a complex and scathing meditation on class and human nature t

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