PLATI ELENI

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PLATI ELENI
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When crafting the identity for art festival Bâtard 2016 Ines Cox and Ward Heirwegh used Schick Toikka’s grot Dia, endlessly repeated and set to large fields of dark red. Cox uses the alternative, razor-sharp diacritics and punctuation found in the typeface to cut through the bold graphics. The capital ‘Â’ in Bâtard has even been modified to further accentuate the contrast.

When crafting the identity for art festival Bâtard 2016 Ines Cox and Ward Heirwegh used Schick Toikka’s grot Dia, endlessly repeated and set to large fields of dark red. Cox uses the alternative, razor-sharp diacritics and punctuation found in the typeface to cut through the bold graphics. The capital ‘Â’ in Bâtard has even been modified to further accentuate the contrast.

AIGA Austin, Texas. 2014. "This is my poster design for an AIGA (Austin Initiative of Graphic Awesomeness) lecture in Austin, Texas, as originally designed and sent to the event promoters. The event o

"This is my poster design for an AIGA (Austin Initiative of Graphic Awesomeness) lecture in Austin, Texas, as originally designed and sent to the event promoters.

AIGA Austin, Texas. 2014. "This is my poster design for an AIGA (Austin Initiative of Graphic Awesomeness) lecture in Austin, Texas, as originally designed and sent to the event promoters. The event o

"This is my poster design for an AIGA (Austin Initiative of Graphic Awesomeness) lecture in Austin, Texas, as originally designed and sent to the event promoters.

New personal logo

New personal logo