linda alexopoulou

linda alexopoulou

linda alexopoulou
More ideas from linda
Rare painting of the Italian painter Tiziano Vecellio showing the Ottoman Turkish Sultan Suleiman the Magnificent, renowned for the magnificence of his dress. 16th century

Suleiman the Magnificent-Emperor Suleiman - I. November 1494 Trabzon – 7 September 1566 Szigetvár, Hungary ) was the tenth and longest-reigning Sultan of the Ottoman Empire, from 1520 to his death in

Ottoman Empire jeweled and gold-inlaid steel ceremonial chichak, a type of helmet (migfer) originally worn in the 15th-16th century by cavalry of the Ottoman Empire

Concept Modeling For Metallic Sculpture : – Picture : – Description Ottoman Empire jeweled and gold-inlaid steel ceremonial chichak, a type of helmet (migfer) originally worn in the century by cavalry of the Ottoman Empire -Read More –

Ahmad (Ahmet) Karahisari, 1500s (script only)  "Turban" helmet, probably 1400s  Ottoman Empire

Ahmad (Ahmet) Karahisari, (script only) "Turban" helmet, probably Ottoman Empire

Antique 16th-17th c. Turkish Ottoman Armor Chain Mail

Antique 16th-17th c. Turkish Ottoman Armor Chain Mail

Antique Turkish Hand Bag, Gold Embroidery on Velvet.  Ottoman Dynasty 1453-1922A.D     Size 7" x 7"

Antique Turkish Hand Bag, Gold Embroidery on Velvet Ottoman Dynasty ? It is not Ottoman embroidery.

Titian Tiziano Vercelli (Italian painter, 1488-1576) Cameria, daughter of Suleiman the Magnificent

Titian Tiziano Vercelli (Italian painter, - Cameria, Daughter of Suleiman the Magnificent, as Saint Catherine - Date painted: Oil on canvas, x cm Collection: The Courtauld Gallery

Caftan with short sleeves, double fur, associated with Bayazit II, oldest son and successor of Mehmed II, ruling as Sultan of the Ottoman Empire from 1481 to 1512, 16th century.

Ottoman Caftan (man coat) with short sleeves, double fur, associated with Bayazit II century

Silk Kaftan, 16th century, Topkapi Palace Museum  Made from a single piece of kemha (brocaded silk) without repeats, this mid-16th-century kaftan, probably worn by a son of Süleyman the Magnificent, is unique in its rich palette and marks the peak of textile weaving. The black-green ground is filled with a riot of saz leaves, pomegranates, rosettes and peonies, recalling Iznik tiles in the Topkapı Palace’s Circumcision Chamber, which dates from 1520, and manuscripts of the same era

Silk Kaftan, century, Topkapi Palace Museum Made from a single piece of…

This sleeveless coat from Shkodër (Scutari) on the Albanian-Montenegrin border demonstrates a remarkable degree of craftsmanship in its lavish use of gold cord, variety of curvilinear shapes, and use of negative space. The density of applied work against velvet is meant to replicate a rich and complex compound weave. The motifs show influences drawn from Ottoman design and demonstrate the cross-cultural effects of the region.

This sleeveless coat from Shkodër (Scutari) on the Albanian-Montenegrin border demonstrates a remarkable degree of craftsmanship in its lavish use of gold cord, variety of curvilinear shapes, and use of negative space