joan mpou
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Hong Kong is impressive from many angles—beneath the towering skyscrapers, or from a ferry crossing Victoria Harbour—but you can see its finest side from the air. As your flight approaches the city, it feels like the mist parts and reveals Shangri-La, where hilly, verdant islands surround a concrete jungle. —Laura Dannen Redman

Hong Kong is impressive from many angles—beneath the towering skyscrapers, or from a ferry crossing Victoria Harbour—but you can see its finest side from the air. As your flight approaches the city, it feels like the mist parts and reveals Shangri-La, where hilly, verdant islands surround a concrete jungle. —Laura Dannen Redman

its ironic how the tables have turned

its ironic how the tables have turned

Pierre-Auguste Cot (French, 1837–1883). The Storm, 1880. The Metropolitan Museum of Art, New York. Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887 (87.15.134)

Pierre-Auguste Cot (French, 1837–1883). The Storm, 1880. The Metropolitan Museum of Art, New York. Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887 (87.15.134)

http://www.theodoroschliapas.com

http://www.theodoroschliapas.com

http://www.theodoroschliapas.com

http://www.theodoroschliapas.com

Nuage Celeste by Fanfan Privat  //Space Odyssey

Nuage Celeste by Fanfan Privat //Space Odyssey

Crystal Time (Loretta) by claire Pestaille @ Saatchi

Crystal Time (Loretta) by claire Pestaille @ Saatchi

Georg Herold @ Saatchi

Georg Herold @ Saatchi