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craig-30

craig-30

Frantisek Kupka

Frantisek Kupka

craig-29

To Transcend Reality and Function as Symbol: Stage Design of...

craig-29

¿Escenografía? ¿Arquitectura?¿Arte conceptual? o ¿Forma de vida? #redeshabitación #suspendidos

¿Escenografía? ¿Arquitectura?¿Arte conceptual? o ¿Forma de vida? #redeshabitación #suspendidos

Resultado de imagen para scene design Yannis Kokkos

Resultado de imagen para scene design Yannis Kokkos

“Hamlet fragmento: altas columnas y pequeña figura”.  Xilografía sobre papel japonés, 25’4 x 20’2 cm. Gabinetto G. P. Vieusseux, Florencia/©Archivo contemporáneo Alessandro Bonsanti:

“Hamlet fragmento: altas columnas y pequeña figura”. Xilografía sobre papel japonés, 25’4 x 20’2 cm. Gabinetto G. P. Vieusseux, Florencia/©Archivo contemporáneo Alessandro Bonsanti:

Born in 1872 as illegitimate son of an architect and of the revered actress Dame Ellen Terry, Edward Gordon Craig was raised as an actor in the company of Sir Henry Irving, only to discover later his true vocation as a theatrical designer. Similar to Adolphe Appia in his struggle against the...

To Transcend Reality and Function as Symbol: Stage Design of...

Born in 1872 as illegitimate son of an architect and of the revered actress Dame Ellen Terry, Edward Gordon Craig was raised as an actor in the company of Sir Henry Irving, only to discover later his true vocation as a theatrical designer. Similar to Adolphe Appia in his struggle against the...

Jean Helion Composition abstraite

Jean Helion Composition abstraite

Edward Gordon Craig Stage design

To Transcend Reality and Function as Symbol: Stage Design of...

Edward Gordon Craig Stage design

Design for Act II of Gluck’s Orfeo Adolphe Appia, ca. 1912-1913

Design for Act II of Gluck’s Orfeo Adolphe Appia, ca. 1912-1913

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