Rula Pikoula
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aurelie-dupont:  American Ballet Theatre corps Kaho Ogawa 10 pirouettes

aurelie-dupont: American Ballet Theatre corps Kaho Ogawa 10 pirouettes😍 I love how she did 10 and she kept her foot in passé! I've seen people do multiple pirouettes en pointe but the bring their foot to coupe😖

3rd movement lighting. Cooler feeling... more bluesy. Possible to do streams of horizontal light? Like streets? Could be cool. At the end I have an image in my head of the girls at the front of stage in a column of light from stage left to right, only in front part of marley so as they exit through the center they immediately leave the light.

Boston Ballet in Jiří Kylián& Bella Figura. Photo (c) Gene Schiavone.

The Forsythe Company / William Forsythe

In Performance: William Forsythe Sider at BAM (NYC) - Contemporary Performance

theballetblog: The Geometry of DanceWilliam Forsythe’s methods of choreography are strikingly algorithmic and give rise to a style of movement and interaction that is distinctively his own

Shut up! free body diagram of a ballerina Even something as simple as standing in a ballet position takes a lot of work and engaged muscles.

dance notation - Rudolf Von Laban’s Choreutics, an “analysis of forms in movement”. The three plans From: Danse et architecture. Nouvelle de danse 42/43. Editions Contredanse

dance notation - Rudolf Von Laban’s Choreutics, an “analysis of forms in movement”. The three plans From: Danse et architecture.

Hugo Marchand and Leonore Baulac in 'Blake Works' by William Forsythe. Paris Opera Ballet 2016. Photo by Isabelle Aubert

Hugo Marchand and Leonore Baulac in 'Blake Works' by William Forsythe. Paris Opera Ballet Photo by Isabelle Aubert

Boris Eifman: Rodin. Foto: Servicio de prensa

★★★★✰ This is my sixth encounter with Boris Eifman’s danced biography of Auguste Rodin, via viewings that have now been spread over three great cities…

The Cleveland modern-dance company Antaeus Dance Company - I loved our Modern Dance Troupe in HS.

Antaeus Dance puts finishing touches on 'Prospect & Refuge' at Cleveland Public Theatre