Τόνη Παπαδημητρίου

Τόνη Παπαδημητρίου

Τόνη Παπαδημητρίου
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Human fingerprint. The smaller circles within the epidermal ridges are sweat gland ducts. SEM X35 | Richard Kessel photo, visuals unlimited

FATHER: WE ALL SHOULD KNOW: Human fingerprint. The smaller circles within the epidermal ridges are sweat gland ducts. No two fingerprints, even from identical twins, are said to be exactly alike.

The Microscopic Structures of Dried Human Tears, wow. Tear composition changes, changing its morphology under the scope.

fannytwaddle: blazepress: These are pictures of different dried human tears. Grief, laughter, onion and change. Each type has a different chemical makeup which makes them appear different. This is sick

Photographer Rose-Lynn Fisher captures tears of grief, joy, laughter and irritation in extreme detail

Photographer Rose-Lynn Fisher captures tears of grief, joy, laughter and irritation in extreme detail

Photographer Rose-Lynn Fisher captures tears of grief, joy, laughter and irritation in extreme detail

In a new project called “Topography of Tears,” the photographer Rose-Lynn Fisher puts dried human tears under the microscope. She collected more than one hundred tears: tears of joy, tears of grief, onion tears, basal tears …

Photographer Rose-Lynn Fisher captures tears of grief, joy, laughter and irritation in extreme detail

Topography of Tears: Rose-Lynn Fisher .The topography of tears is a momentary landscape, transient as the fingerprint of someone in a dream. This series ls like an ephemeral atlas.

Photographer Rose-Lynn Fisher captures tears of grief, joy, laughter and irritation in extreme detail

Photographer Rose-Lynn Fisher, Topography of Tears, where she uses microscopes to give us ‘an unexpected view of another familiar subject: dried human tears.

Photographer Rose-Lynn Fisher captures tears of grief, joy, laughter and irritation in extreme detail

The Topography of Tears: "Onion Tears," by Rose-Lynn Fisher. From a series of photographs of different kinds of tear drops under a microscope.